When it comes to creating high-quality video content, capturing pristine audio is just as important as achieving stunning visuals. Whether you’re a seasoned videographer or an aspiring content creator, having the right microphone for a DSLR can make all the difference in the sound quality of your video.
In our comprehensive guide, “Best DSLR Microphones for Video”, we’ll explore the best microphone options available on the market, helping you take your video production to the next level by ensuring crystal-clear audio that perfectly complements your visual story. Whether you’re shooting a vlog, interview, documentary or cinematic masterpiece, our recommendations will help you find the perfect microphone that fits your needs and budget. Say goodbye to audio glitches and welcome professional-quality audio to your DSLR video projects.
7 Best DSLR Microphones For Video 2023
1. Deity V-Mic D3
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There’s a lot to like about the Deity V-Mic D3. The feature that attracts the most attention is the stepless gain control. The adjustable gain is perfect for combating poor camera preamps. It also helps reduce the signal level and get the right sound level.
The rechargeable battery provides approximately 50 hours of use. It doesn’t need different cables for phone, computer and camera. Instead, God will adjust the output based on what it’s connected to.
The sound is as good as the build quality. One reviewer called this the best in-camera shooting microphone available. In my comparison test with the Sennheiser MKE600, I couldn’t tell the difference. And this genie costs half the price of Sennheiser.
2. Sennheiser MKE 600 Shotgun Mic
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The Sennheiser MKE 600 is a shotgun microphone. Its characteristics are excellent manufacturing quality and great versatility. Powered by one AA battery when connected to a camera or phone, it can also use phantom power via the XLR.
The MKE 600 has a hypercardioid polar form. It has a high pass filter that reduces the noise to below about 175 Hz.
The sound is clear, especially when speaking. It comes with all the connections you need, along with a foam windscreen and a dead cat. While not cheap, the MKE 600 is a great set of tools for enhancing the audio in your videos.
3. Rode VideoMic Pro+ Camera-Mount Shotgun Microphone
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Rode VideoMic Pro+ has an impressive list of features. In an emergency, you can use AA batteries instead of rechargeable batteries. You can also use it as a micro USB. When you do this, the Pro+’s “mic out” port becomes a headphone jack. This allows microphone and computer audio monitoring without delay.
The gain switch allows for +20 or -10dB and has a switchable high pass filter for 75 and 150Hz. Smart ‘Safe Mode’ records separately for L&R channels, one of which is at -10dB. If you discover that the audio is cut off during recording, you have a -10 track to replace the faulty ones.
The Rode VideoMic Pro+ has a foam windshield but no dead cats. With an optional deadcat, performance in windy conditions is excellent.
The sound quality is clean and clear. It has decent low frequencies and good clarity at higher frequencies needed for speech. We like its versatility for use as a computer mic, crane stand, and its XLR capabilities. All of this makes VideoMic Pro+ a versatile tool.
4. Movo VXR10 Universal Video Microphone
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The Movo VXR10 Pro is a simple and compact shotgun microphone. The Movo comes with foam, a dead windscreen, and a Rycote Lyre Shock Absorber Bracket. You also have a cable to connect to your DSLR camera or smartphone.
There are headphone and mic output jacks on the back of the mic. This is especially useful if your camera doesn’t have a headphone monitoring jack.
Power is taken from the camera, so no batteries or phantom power are needed. It’s as simple as possible. Attach the mic to the camera, plug it in and record.
The sound quality at this price point is impressive. Used on the top of the machine, missing a little on the bottom. Holding at a distance of 8 to 12 inches (20 to 30 cm), the sound is rich and balanced. But the Movo VXR10 Pro isn’t ideal if you’re shooting in windy conditions.
5. Shure VP83F LensHopper: Professional Shotgun Mic
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The Shure VP83F is not only a microphone but also a standalone recorder. Camera preamps are usually of poor quality. They are usually quite large and easily cut. An external recorder solves this problem.
The Shure VP83F combines a microphone and recorder in one package. You can then save it directly to a USB stick. Audio is also sent to the camera.
Indoors, the VP83F produces clear sound and features up to 60 dB gain adjustment. There’s also a high-pass filter that cuts frequencies below 170Hz, so there’s nothing wrong with the sound you get with the Shure VP83F. Some believe this is currently the best DSLR microphone. To my ears, that doesn’t sound very appealing. But the built-in voice recorder makes it an interesting microphone worth considering.
6. Rode GO II Wireless Microphone System
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The first thing you might notice about the Rode Wireless GO II is that it doesn’t look like a microphone. It is a shiny square about half the size of a deck of cards.
This is true for both the receiver and the transmitter. But these two squares hide a lot of clever technological magic. Magic can transform your recordings.
With a claimed range of 200m, you can really be sure of a transmission over 330′ (100m). Second, even if your transmission is lost for some reason, the microphone/transmitter still has built-in recording. You can enable safe mode and set the channel to -20 dB recording to deal with unwanted audio clipping.
The GO II receiver can handle two transmitters, making interviewing easy. The receiver has a very clear and informative LCD screen. It allows you to monitor various aspects of unit performance. The padding, in steps of 10dB, can be changed via the Rode app to a level of your choice.
The Wireless Go II is a good solution to wireless DSLR microphone.
7. Saramonic UwMic9 UHF Wireless Lavalier Mic for DSLR
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Another potted mic available in one- and two-person versions is the Saramonic UwMic9S. Saramonic impresses with sound quality.
The set is complete and packed in a sturdy box. You get all the necessary cables to connect to a camera or an XLR socket. And it comes with a foam windshield and a dead cat.
Nice to see the TRS connectors locking on the belt pack. And it’s nice to see rechargeable batteries instead of regular AA batteries. These characteristics of the Saramonic DSLR microphone make it an attractive choice.
Conclusion
In conclusion, the world of DSLR microphones for video has never been more diverse and accessible. We’ve scrutinized some of the best options available, each offering unique features and capabilities to suit a variety of shooting situations and budgets. Whether you value portability, versatility, or studio-quality sound, there’s a microphone on our list to meet your needs.
Don’t forget to consider factors like orientation style, connectivity options, and extras like shock mounts and windscreens to further enhance your recording experience. Investing in the right DSLR microphone is an investment in the audio quality of your video content, taking your storytelling and audience engagement to a whole new level. So go ahead and choose the microphone that suits your creative vision and let your videos not only look great, but look great too. Happy photography!
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